Ancestry Pro Tools Shared DNA

Figure 1. The little circle filling on the left, and after it has completed and the file is saved, on the right.
Figure 2. Table at the top of the results from The Antley Method DNA Connections Display Tool.
Figure 3. This table is shown below the one in figure 1. Scroll down the page to find it.
Figure 4. The Excel file that I use.
Figure 5. After turning off merged cells in columns B and C.
Figure 6. The beginning of the matrix.
Figure 7. The completed matrix to determine how len fits in my family tree.
Figure 8. My maternal paternal family tree.
Figure 9. Aide Matrix.
Figure 10. BanyanDNA tree.
Figure 11. Hypotheses results.
Figure 12. AutoLineage Reconstructed family tree for my Barry and Aide side.

If you have questions about how to get the most from Ancestry Pro Tools or any of your DNA results contact me at: info@patriciacolemangenealogy.com

Preserve

Week 8 is Heirlooms

I have several of them from my ancestors. My paternal grandmother’s ring, and my maternal grandmother’s dessert plates.  I also have several from my great grandmother.  Her ‘Rebecca at the Well’ tea pot, and her cookie cutters.  But the one that I use the most is her Springerle board.  I do not know if she brought it with her from Marburg when she immigrated in 1867 or if it was hand-carved for her after she arrived in Richmond, Virginia. 
For years my mother would make Springerle at Christmas time and share them with family members.  Now I’m the one making them and mailing them off to cousins and my daughter.  I’d always followed the recipe religiously since it was my grandmother’s.  That is until my mother told me how her mother never wrote any recipe down and make them all from memory.  Mom was the one who wrote down what she thought her mother had used.  So now I make them, and the other Christmas cookies based on what looks and feels right. How does an egg today compare to what my grandmother or even my mother had?  I have no idea.  So, if the dough feels right without all the flour, or it needs more flour I no longer force it to be what that recipe says. Of course, my mother would never have admitted it, but I’ve been told my cookies are better

Great Grandmother’s Springerle Board.
A tray of cookies ready to go out in the cold.

The dough is refrigerated for a day or so and then cut into cookies.  The dough is rolled out and then placed on the Springerle board and pounded to get the prints.  Mom used a cloth filled with flour and tied. I just use my fingers to push the dough into the floured board.  Then the cookies are cut and placed on a cookie sheet to go out in the cold.  Mom would put them in boxes on her back porch in Richmond, Virginia.  We put them in the garage inside a car or our Airstream. Because I live in Northern Minnesota if the temperature is below freezing, I must let them warm up inside and thaw out a bit before baking, or they lose their prints. Some years the prints turn out better than others.  But they always taste good!

A few of the cooked cookies showing off their prints.

52 Ancestors in 52 Weeks

Week 6 – Earning a Living

My grandfather, Tony Sauerwald, was an artist.  Born Franz Georg Emil August Anton Sauerwald on 2 February 1873 in Wetzlar, Lahn-Dill-Kreis, Hesse, Germany, he was the oldest child of Emil and Eva Sauerwald.  In the summer of 1883, his father left for the United States and found work in a mine in Crimora, Virginia.  In October 1886 Tony, his younger sister, Margaret, and their mother Eva arrived in the United States.  They had been here less than a year when his father died in a mining accident in the summer of 1887. Tony was 14 and Margaret was only 9. Live must have been very difficult for the family. 

The family moved to Richmond, Virginia by 1893. Tony was listed as a fresco painter in the city directory that year. In 1895 he married Louisa Christina Wolff.  Tony was also known as an excellent soloist. In November 1906 the Catholic Cathedral in Richmond was dedicated, and Tony was the soloist at the ceremony.  My mother had the invitation that her mother, Louisa, was send so she could attend the ceremony.  Mom donated that to the Cathedral’s archives before she died.

Several of the frescoes that Tony painted no longer exist. When the Jeffersonian Hotel in Richmond was remodeled many years ago, they were covered. He also painted frescoes at the Benedictine Belmont Abbey in North Carolina. I have copies of the letters about his commission to do them. They no longer exist, and the current abbot has no record of them. However, some have survived. In 2015 we were able to visit a home in Richmond where  the ceilings of what would have been the front and back parlor still have them!  The fresco is around the chandelier and along the ceiling near the walls.  They both have flowers and branches. In the one near the corners the pink flowers are more pronounced.  Around the chandelier they might not appear so bright because of the lighting.

Fresco around the chandelier.
Frescoes in the corners of the rooms.

Tony also did landscapes.  We have three of his paintings.  One that I always liked was stored in my grandmother’s basement and had a large L-shaped rip in it.  We had it repaired and cleaned and now it hangs in my daughter’s dining room. Tony did landscapes and not portraits.  Any people in this painting were usually walking away or at a distance.

Landscape by Tony Sauerwald, date unknown.

Tony died in 1916, when my mother was only two years old.  We’ve always speculated that his death was caused by close contact and exposure to the lead-based paints that were used at the time.

It appeared that the talent of an artist had been lost in the family, however my granddaughter is quite the artist, but she mainly does portraits, which is different than her second great grandfather Tony. But perhaps the artistic talent has not been lost!

Drawing by granddaughter, used with permission.